Reporting from the Telluride Film Festival. There’s a not insignificant part of me that wants to reject King Richard. Here is the story of Venus and Serena Williams—two of the greatest tennis players to ever set foot on the court—filtered through the … Continue reading KING RICHARD
There was no show last year; it was called on account of pandemic. Just as well: Wildfires all along the West draped a burnt orange curtain inside Telluride’s box canyon and cut visibility from miles to feet. Movies are about … Continue reading The Show Must Go On: Dispatches From the 48th Telluride Film Festival
Sometimes it seems like the right person walks into your life just a moment before you need them. You don’t know it at the time, but when you look back, it almost feels scripted. That’s one of the pleasures of Language … Continue reading LANGUAGE LESSONS
On this week’s on-the-road edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Shang-Chi and the Legend of the Ten Rings (out now in theaters) and preview the 48th Telluride Film Festival—with a strong recommendation for … Continue reading
I was gonna be a dancer. I was a brunette. Started on my toes and wound up on my heels So says Ruth Roman in Tomorrow is Another Day, a forgotten lovers-on-the-lam noir from 1951. Or it would have been forgotten … Continue reading Eddie Muller on DARK CITY: THE LOST WORLD OF FILM NOIR
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about the new reboot/sequel Candyman (out now in wide release), the spectacular After Life (out now on Blu-ray and DVD from The Criterion Collection), and … Continue reading
Childhood isn’t easy for a lot of people, but for Jennifer Vogel, it was a little harder. That’s because Dad left, and Mom hit the bottle. Mom eventually cleaned herself up, but Dad never came back. He couldn’t. Shady business … Continue reading FLAG DAY
You don’t know it at first, but this is purgatory. Well, a way station might be a better description. Regardless, all the clients who arrive are deceased, and it’s up to the clerks to get them to the next place. … Continue reading AFTER LIFE (ワンダフルライフ)
The world of Candyman is all upside down and backward. As if truth can only be seen reflected. In a way, that’s what a camera lens does—it takes an image, inverts it, and captures it. And when the image is projected, things … Continue reading CANDYMAN
Michael J. Cinema 
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