A lecture may get your point across, but a story illustrates it better. And if you can smuggle in a little humor, it’s a better bet the medicine will go down. Irresistible got you hankering for more? Here are four … Continue reading Home Viewing: Satire Streams
Is it more important to be respected or liked? Most everyone wants to be both, but only a few achieve that goal. The rest of us scrap for one or the other. They’re not always mutually exclusive, but they often … Continue reading THE LAST DANCE
On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo to discuss Criterion’s latest 4K restoration, The Cameraman, and suggest a few silent films you can stream if you’re missing Chautauqua’s annual Summer of Silents. … Continue reading
It’s mid-June, which means we ought to be full swing into Chautauqua’s Summer of Silents—the annual celebration of cinema sans dialogue. And whether they’re accompanied by the incomparable Hank Troy or the impressive Mont Alto Motion Picture Orchestra, spending a … Continue reading Home Viewing: Silent Clowns
Chaplin was the tramp, Lloyd was the go-getter, and Buster Keaton—Born Oct. 4, 1895—was the Great Stone Face. He was unflappable, no matter how hard he got hit or how hard he fell. The General is his best, maybe the greatest American … Continue reading THE GENERAL
Harold Lloyd’s Glasses character was a real go-getter. The middle-class boy next door could accomplish anything he put his mind to. And it made him immensely popular with the rah-rah-rah mentality of the Roaring Twenties. 1923’s Safety Last! might be his best, … Continue reading SAFETY LAST!
Made in 1925, Charlie Chaplin’s greatest comedy is also his most recognizable. From the Little Tramp (Chaplin) woefully underdressed in the Klondike to hunger so intense he envisions his cabin-mate as a large roast chicken. But it’s the dance of … Continue reading THE GOLD RUSH
On April 23, 1917, Buster Keaton made his theatrical debut in Roscoe “Fatty” Arbuckle’s The Butcher Boy. Three years later, Keaton would strike out on his own, producing one comic short after the other. Three years after that, Keaton made the … Continue reading THE CAMERAMAN
Spike Lee’s back, and he’s getting better with age. The first half of the 2010s found the filmmaker working in a different milieu with Red Hook Summer and Da Sweet Blood of Jesus. Slightly atmosphere, quieter, lower budgets. Neither were duds, but nor did … Continue reading DA 5 BLOODS
Michael J. Cinema 
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