Reviews, interviews, and festival coverage courtesy Boulder’s only independent newspaper.
It opens in an African coltan mine. Black bodies dig through the rocks for precious metals. “Metal precious currency,” the narrator intones. “Third and First world currency. Black market currency… That old black-bodied currency.” Men with guns demand the workers … Continue reading NEPTUNE FROST
Shot in stark black and white like a moving Weegee photograph, Lionel Rogosin’s On the Bowery is a stunning piece of filmmaking instrumental in dropkicking American movie making out of the studios and onto the streets. The story here is of an … Continue reading ON THE BOWERY
Since his 1991 debut, Slacker, writer/director Richard Linklater has quietly become the most reflective director in American cinema. In the documentary Double Play: Jack Benning and Richard Linklater (Gabe Klinger 2013), Linklater casually outlines his philosophical thesis: “I think ultimately the most interesting view … Continue reading BOYHOOD
I ask my grandmother whether she remembers her old house. She says: ‘It’s good that I never had a photograph of my childhood home. Because if I had a photo of it, I would have forgotten what it looked like. … Continue reading Mimesis Documentary Festival 2022
George Clooney’s 2019 adaptation for Hulu was faithful to Joseph Heller’s novel until it missed the mark. He condemned Yossarian to a Sisyphean hell rather than set him free and off into the world. Clooney’s deviation probably comes from a … Continue reading CATCH-22
Have you ever wondered why memories from your high school and college years always seem the clearest? The fondest? Back in the day, music sounded better, beer tasted crisper, energy was boundless, and you, and only you, really understood how … Continue reading ALL THESE SLEEPLESS NIGHTS
Not every director starts a scene by yelling, “Action!” Clint Eastwood gently whispers, “When you’re ready,” while others don’t even bother calling it. Sam Fuller used to fire a starter’s pistol into the air. And if IMDB.com is to be … Continue reading THE NEON DEMON
Like most love stories, this one begins at the movies. London, 1971: A young actor goes to see the latest release, A Clockwork Orange, and is transfixed. The garish colors, the violence, the sex, the terror, Malcolm McDowell’s theatrical performance; the young … Continue reading FILMWORKER
Directed by Matthew Rankin, The Twentieth Century is one-half quirky bio-pic about the rise of Canadian Prime Minister William Lyon Mackenzie King (Dan Beirne), and one-half spoof of King and the notion that a bio-pic can be a truth delivery device. Shot … Continue reading THE TWENTIETH CENTURY
Michael J. Cinema 
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