Reviews, interviews, and festival coverage courtesy Boulder’s only independent newspaper.
If you picked up a copy of last week’s Boulder Weekly, then you might have read a review about a new movie starring Adam Driver (The Report) and another one starring Lucas Hedges (Waves). And if you pick up a … Continue reading This week in Film — MARRIAGE STORY and HONEY BOY
Timing is everything, and as the 2019 Impeachment Hearings drag on, the release of the new political thriller, The Report seems as perfectly timed as anything. Or maybe not. Maybe audiences will seek solace in the multiplex rather than complement. … Continue reading This week in Film — THE REPORT, FROZEN 2, and WAVES
Martin Scorsese’s 25th feature film, The Irishman, is a masterpiece. A work of maturity and atonement from one of cinema’s greatest talents. And though it seems foolish to parse this mammoth piece of work, the joys of the whole can … Continue reading This week in FILM — THE IRISHMAN and BABETTE’S FEAST
The 42nd Denver Film Festival wraps up Nov. 10, but there are still a slew of movies to see. For this week’s Boulder Weekly, I highlight three: The Twentieth Century, Premature, Sorry We Missed You — the latter is one … Continue reading This week in Film — Weekend Two of the Denver Film Festival and LONG DAY’S JOURNEY INTO NIGHT
The 42nd Denver Film Festival kicked off October 30 with a tribute to former artistic director Brit Withey. The festival runs through November 10 and features over 250 features and shorts. For the Weekly, I highlighted a couple to check … Continue reading This week in FILM — 42nd Denver Film Festival and US
Winner of this year’s Toronto International Film Festival Audience Award, Jojo Rabbit, is funny as hell, but somewhat misguided. What do you do when satire lacks conviction? I wonder what Denver Film Festival artistic director Brit Withey would have made … Continue reading This week in FILM — JOJO RABBIT and DFF’s Brit Withey tribute
It’s a double dose of looking back this week. First with Garland, then with Brakhage. Few faces are as iconic in the cinema as is Judy Garland, which is why Renée Zellweger’s performance is so commendable: She inhabits Garland’s looks, … Continue reading This week in Film — JUDY and Celebrating Stan
When Network was released in 1976, it was already past its prime. The glory days of the newsrooms were over and sensationalism had replaced rationalism. It looks and feels revolutionary from today’s vantage, but for audiences watching it on the … Continue reading This week in Film — NETWORK and ONE CUT OF THE DEAD
What an odd combination of recommendations. One of the earth, the other of space. One of connection, the other of separation. One of a forager, the other of an explorer. One of… You get the picture. As Ad Astra takes … Continue reading This week in Film — FANTASTIC FUNGI and AD ASTRA
One of the best movies I saw at this year’s Telluride Film Festival was Terrence Malick’s A Hidden Life — a narrative based on the life of Franz Jägerstätter, an Austrian contentious objector who refused to raise right hand to … Continue reading This week in Film — OFFICIAL SECRETS
