Reviews, interviews, and festival coverage courtesy Boulder’s only independent newspaper.
One of the more fascinating aspects of the movies is their ability to reach across time and space and continue cinematic conversations that started long ago. Take 1971’s The French Connection. Directed by one of the decade’s hottest directors, William Friedkin, The French … Continue reading THE [FRENCH] CONNECTION
Politics, cinema, and literature can lie, not sport. —Jean-Luc Godard When one considers the history and scope of cinema, rarely do “how-to” instruction videos come to mind. But there they are, hours upon hours of step-by-step techniques recorded for posterity: … Continue reading JOHN MCENROE: IN THE REALM OF PERFECTION (L’EMPIRE DE LA PERFECTION)
What does it take to make a masterpiece? Not something merely good, but among the greatest of all time. Meaningful not just to the time and place it was produced, but to the time and place with which it is … Continue reading Top Ten Territory
Famed Polish writer/director Krzysztof Kieślowski already had a handful of feature films and documentaries under his belt when his writing partner, Krzysztof Piesiewicz, gave him the idea: “Someone should make a film about the Ten Commandments. You should do it.” … Continue reading DEKALOG
The inaugural recipient of the Cannes Palme d’Or, Delbert Mann’s Marty, was the only film to win both the Palme d’Or and the Oscar for Best Picture. That was until Parasite came along in 2019. There are a few thematic similarities between … Continue reading MARTY
Billi (Awkwafina) has come home to China. Specifically, Changchun—a city she left at the age of 6 when her father relocated his wife and daughter to the U.S. in search of a better life and more opportunity. That was 25 … Continue reading THE FAREWELL
These days, more and more Americans divide themselves across party lines and political predilections. Yet, few see these divisions as dividing—they see them as unifying: this is my identity, and these are the people who feel the same. Individual identity … Continue reading ORIENTED
Most movies are a window you gaze through for two or so voyeuristic hours. Others are a door you walk through. Jewel Robbery, a 1932 pre-Code comedy, is like falling into a glass of champagne. The black and white photography by … Continue reading All Together Now: Dispatches from the 13th TCM Classic Film Festival
English actor Dirk Bogarde may have lived in the closet, but Italian filmmaker Luchino Visconti did not. Visconti also had the luxury of being born into an aristocratic family. So did German novelist Thomas Mann, but he struggled with his … Continue reading DEATH IN VENICE
Michael J. Cinema 
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