On April 8, 1994, southern California punk rockers, The Offspring, released their third studio album: Smash. It would become the best selling independent album of all time. Across the pond, Britpop phenom Blur hit the scene with Parklife. That album would be certified … Continue reading BEATS
Gary Zimmer (Steve Carell) is a typical liberal elite, the kind they grow in labs somewhere along the coast. He dresses well enough to look like he has taste, works at a job that makes him enough money to look … Continue reading IRRESISTIBLE
Craving some much needed positive PR, the Valiant Tobacco Company announces a cockamamie scheme: Any American town that can give up smoking for one month will win $25 million, tax-free. Eagle Rock, Iowa—population 4,000—needs that kind of coin to revamp … Continue reading COLD TURKEY
George Clooney’s 2019 adaptation for Hulu was faithful to Joseph Heller’s novel until it missed the mark. He condemned Yossarian to a Sisyphean hell rather than set him free and off into the world. Clooney’s deviation probably comes from a … Continue reading CATCH-22
Is it more important to be respected or liked? Most everyone wants to be both, but only a few achieve that goal. The rest of us scrap for one or the other. They’re not always mutually exclusive, but they often … Continue reading THE LAST DANCE
Chaplin was the tramp, Lloyd was the go-getter, and Buster Keaton—Born Oct. 4, 1895—was the Great Stone Face. He was unflappable, no matter how hard he got hit or how hard he fell. The General is his best, maybe the greatest American … Continue reading THE GENERAL
On April 23, 1917, Buster Keaton made his theatrical debut in Roscoe “Fatty” Arbuckle’s The Butcher Boy. Three years later, Keaton would strike out on his own, producing one comic short after the other. Three years after that, Keaton made the … Continue reading THE CAMERAMAN
Harold Lloyd’s Glasses character was a real go-getter. The middle-class boy next door could accomplish anything he put his mind to. And it made him immensely popular with the rah-rah-rah mentality of the Roaring Twenties. 1923’s Safety Last! might be his best, … Continue reading SAFETY LAST!
Made in 1925, Charlie Chaplin’s greatest comedy is also his most recognizable. From the Little Tramp (Chaplin) woefully underdressed in the Klondike to hunger so intense he envisions his cabin-mate as a large roast chicken. But it’s the dance of … Continue reading THE GOLD RUSH
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