On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo about No Other Land, now playing a limited engagement at the Sie FilmCenter, and Tromeo and Juliet, playing Feb. 14 and 15 at the Dairy … Continue reading
Mathew Klickstein on LLOYD KAUFMAN: INTERVIEWS
The Toxic Avenger, Poultrygeist: Night of the Chicken Dead, Tromeo and Juliet, Cannibal! The Musical, Surf Nazis Must Die, the list goes on. Even if you haven’t seen them, you’ve probably heard of them. They’re legendary movies in cult circles, … Continue reading Mathew Klickstein on LLOYD KAUFMAN: INTERVIEWS
On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo about the 2025 Sundance Film Festival. Continue reading
No News is Good News? Dispatch from the 2025 Sundance Film Festival
It’s like a grade school love note: Do you like me? (check one)□ Yes□ No♡ Maybe And right now, Boulder is still waiting patiently for a reply. On Jan. 23, the 2025 Sundance Film Festival got underway with no announcement … Continue reading No News is Good News? Dispatch from the 2025 Sundance Film Festival
WINCHESTER ’73
When it comes to westerns, 1950 was a banner year. More than 125 features were released that year—a high-water mark the genre would never again see—and many would become emblematic of the genre: John Ford’s Wagon Master, Henry King’s The … Continue reading WINCHESTER ’73
On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo about my favorite film of 2024, Nickel Boys, out now in limited release, and the newly restored western classic, Wichester ’73, available from The Criterion … Continue reading
And the winner is…
On Friday, Jan. 24, the Denver Film Critics Society—a group of writers, broadcasters, and bloggers working in and around the Mile High City, of which I am one—announced their picks for the best of 2024. Of the 42 movies nominated, … Continue reading And the winner is…
“Running in the Rain.” Filmmaker RaMell Ross on Making NICKEL BOYS a First-Person Masterpiece
When we talk about movies, we talk about what they’re about. But when we talk about Nickel Boys, we have to talk about how it’s about what it’s about. “The intention is to be inside the perspective—inside the worldview of … Continue reading “Running in the Rain.” Filmmaker RaMell Ross on Making NICKEL BOYS a First-Person Masterpiece
On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo about September 5, out now in theaters, and Ernest Cole: Lost and Found, which is playing as part of the Dairy Arts Center’s Artists You Should Know series. Continue reading
Michael J. Cinema 
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