As the story goes, writer/producer/director extraordinaire Francis Ford Coppola started working on Megalopolis in the early 1980s. Back then, Coppola was coming off one hell of a decade. The Godfather, The Conversation, The Godfather: Part II, Apocalypse Now… He was … Continue reading MEGALOPOLIS
Enzo Ferrari wants to win. Before he was the founder of the Italian luxury car manufacturer Ferrari S.p.A. and the similarly named Grand Prix racing team, Ferrari was a driver. But with the birth of his first son, Dino, he … Continue reading FERRARI
What in the world is House of Gucci about? On the surface House of Gucci is inspired by the true story of the Gucci family, a one-time dynasty that fell once family members started backstabbing each other with backroom dealings and buyouts. But what … Continue reading HOUSE OF GUCCI
Annette begins with a proclamation: “Breathing will not be tolerated.” What follows is meant to be taken in whole. For if you were to take it bit by bit, the whole thing would fall apart. Only totality can save Annette. Though I’m … Continue reading ANNETTE
When Star Wars debuted in 1977, it was an immediate revolution of cinema and culture. Audiences voted with their wallets: This is how we want our stories delivered, and these are the stories we desire. Four decades later, Star Wars is less a cinematic … Continue reading STAR WARS IX: THE RISE OF SKYWALKER
No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will still be wonderful. Kurt Vonnegut, A Man Without a Country One of the best scenes in … Continue reading 2019: Something To Do With Death
It all started so well. There was love, and there was kindness. There was understanding, and there was support. And then one day, there wasn’t. The supports were taken out, kindness gave way to cordiality, and romantic love dissolved into … Continue reading MARRIAGE STORY
You can’t control the world, but you can control your reaction. Reactions define the individual, and in Scott Z. Burns’ The Report, the tragic events of 9/11 caused two completely different reactions in two completely different men. It’s just that their … Continue reading THE REPORT
Humanity has reached a dead-end, and it’s fracking that did it. In real life, maybe, but in writer/director Jim Jarmusch’s The Dead Don’t Die, definitely. Fracking the polar ice caps—which doesn’t sound that far-fetched—has thrown the Earth off its axis and … Continue reading THE DEAD DON’T DIE
Michael J. Cinema 
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