Wes Anderson’s cinematic style did not appear fully formed. It took a few movies over five years before Anderson locked in on formal compositions, planimetric framing, cuts along the 90-degree axis, diorama-esque interiors, Richard Scarry-like landscapes, idiosyncratic dialogue, peculiar characters, … Continue reading THE FRENCH DISPATCH
When Girlfriends opened in New York City on Aug. 11, 1978, a newspaper strike kept the movie’s release from a public announcement. So, director Claudia Weill and actors Melanie Mayron and Eli Wallach photocopied handbills and stood on street corners to get … Continue reading GIRLFRIENDS
2012 was a magnificent year for the movies. They are more diverse, more personal, and more magical than ever. Yes, there was the onslaught of the usual blockbuster fare, sequels left and right, and the mighty flops that were John Carter and Battleship, … Continue reading 2012: A Year at the Movies
Michael J. Cinema 