No filmmaker working today makes movies like Guillermo del Toro. His are gothic affairs, full of love and sympathy for all creatures great and small, doomed and saved. The color palettes, even when monochromatically muted, have a garish quality to … Continue reading FRANKENSTEIN
The story of Pinocchio, first penned in 1883 by Italian writer Carlo Collodi, has long been a favorite of storytellers: A lonely man fashions a boy out of wood; the wooden boy becomes sentient; a cricket teaches the wooden child … Continue reading GUILLERMO DEL TORO’S PINOCCHIO
Love for James Bond is tragic. Sure, his conquests are as numerous as they are fleeting, but consider 1969’s On Her Majesty’s Secret Service: Bond marries Countess Tracy, only to lose her to a bullet meant for him. The man behind … Continue reading NO TIME TO DIE
There are treasures deep in the misty mountains of the Congo, untold riches that the Belgian king will stop at nothing to find. Fortunately, there is a man who will sell out his tribe and his way of life to … Continue reading THE LEGEND OF TARZAN
Set in a nondescript country in the near future, The Zero Theorem focuses on Qohen Leth (Christoph Waltz), a man lacking both hair and individuality. Leth refers to himself in the plural—always “we,” never “I”—and “they” like to be left alone. Leth … Continue reading THE ZERO THEOREM
2012 was a magnificent year for the movies. They are more diverse, more personal, and more magical than ever. Yes, there was the onslaught of the usual blockbuster fare, sequels left and right, and the mighty flops that were John Carter and Battleship, … Continue reading 2012: A Year at the Movies
Michael J. Cinema 