On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo about three new animated films to enjoy with the family over the holidays: Wolfwalkers (Apple TV+), Away (TubiTV), and Soul (Disney+). Listen to After Image, … Continue reading
When the COVID-19 pandemic shut down movie theaters in March, Disney scrambled their announced release schedule as best they could: First by pushing their major blockbusters to 2021, second by off-loading their lower-rent family fare to their streaming service, Disney+. … Continue reading This week in Film — SOUL
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Epicentro and Beau travail, now playing at virtual theaters, and discuss what’s missing from the 2020 remake of Mulan, now available on Disney+ Premier … Continue reading
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Hamilton (now streaming on Disney+) and the new Blu-ray box set, Laurel & Hardy: The Definitive Restorations (available anywhere you buy Blu-rays and DVDs). … Continue reading
The past sparkles on screens this holiday weekend. From a look at the life of America’s first Secretary of the Treasury to a duo that’s back and better than ever. First, let’s start with the with the show that won’t … Continue reading This week in Film — HAMILTON and Laurel & Hardy
Onward, Disney/Pixar’s latest, is the studios first original work in three years, but still feels derivative. A second viewing improves and deepens the character’s relationships, but the quest aspect of story introduces a lot of noise, and the magical creature … Continue reading ONWARD
Coco gets better with every viewing. Cars 3 improves slightly. Toy Story 4 does not. It makes the construction lazier, motivation messier, and rewrites a central character to make him the fool. It’s not one for the ages. From Boulder Weekly Vol. 26, No. 45, “To infinity, … Continue reading TOY STORY 4
One good turn deserves another, and from yesterday’s Coco to today’s Cars 3, there’s much to find in every Pixar movie. A revisit proves that the underlying story and emotion holds up—enough. McQueen’s decline and Cruz’s rise are unbalanced, and many middle scenes … Continue reading CARS 3
In 2017 I had the chance to interview Danielle Feinberg, director of photography at Pixar. The cause for the occasion was the release of Coco, a fantastical story of a young boy who inadvertently travels to the land of the dead. … Continue reading Interview with Danielle Feinberg
