THE IRISHMAN
The Irishman begins in darkness. A small box of light at the center of the frame opens like an iris, and we see nurses and doctors. It looks like a hospital, but this is no beginning; this is the end: A … Continue reading THE IRISHMAN
The Irishman begins in darkness. A small box of light at the center of the frame opens like an iris, and we see nurses and doctors. It looks like a hospital, but this is no beginning; this is the end: A … Continue reading THE IRISHMAN
“I am a sick man… I am a spiteful man. I am an unattractive man.” —Notes From the Underground, Fyodor Dostoyevsky Who makes the monster, and where do they come from? We’ve been asking those questions for far too long … Continue reading JOKER
My whole life has been movies and religion. That’s it. Nothing else. —Martin Scorsese It all goes back to Mean Streets: “You don’t make up for your sins in church, you do it in the streets. You do it at home. … Continue reading SILENCE
In a year where directors are inseparable from the subject of their movies (To The Wonder, Pain & Gain, Inside Llewyn Davis, Nebraska, and many more), one rises above the rest of the pack. The Wolf of Wall Street is about Jordan Belfort’s desire to … Continue reading THE WOLF OF WALL STREET