A long time ago—May 25, 1977, to be precise—in a Hollywood far, far away, Star Wars took cinematic hearts and minds by storm. Later subtitled Episode IV: A New Hope, Star Wars was a ragtag space opera about a young farmer and two mercenaries trying to rescue a captured princess from the evil clutches of the Empire and return her to the Rebel base so she could deliver the stolen plan necessary to destroy the armored base. The backstory was sparse, the plot points were standard, and the characters were archetypal. This was all by design. Writer/director George Lucas drew heavily from Joseph Campbell’s theory of the monomyth—detailed in his book-length … Continue reading STAR WARS AT 40: A space opera in eight films, five directors, and two studios
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