A while back my good friend Pablo Kjølseth — the master behind CU-Boulder’s International Film Series — asked me to guest write a post for TCM’s Movie Morlocks, now retitled Streamline in conjunction with FilmStruck. I chose to write about one of Federico Fellini’s best, La Strada. An excerpt: Fellini began his career as Roberto Rossellini’s assistant director and one-time actor (L’amore, 1948) while Rossellini was helping to develop Italian neorealism. But the kind of neorealism Fellini adopted was not the harshness of post-war existence — as depicted in Vittorio De Sica’s Bicycle Thieves and Umberto D. — but of a … Continue reading LA STRADA

Born On This Day – January 20, 1920

“Cinema is an old whore, like circus and variety, who knows how to give many kinds of pleasure. Besides, you can’t teach old fleas new dogs.” “It’s absolutely impossible to improvise. Making a movie is a mathematical operation. It is like sending a missile to the moon. It isn’t improvised. It is too defined to be called improvisational, too mechanical. Art is a scientific operation, so I can say that what we usually call improvisation is in my case just having an ear and eye for things that sometimes occur during the time we are making the picture.” –Federico Fellini … Continue reading Born On This Day – January 20, 1920