As the saying goes, hindsight is twenty-twenty. Why death hung so darkly over my mind as I penned last year’s Best Of column, I cannot say. Maybe it was me. Maybe it was the movies. Maybe it was the Rolling … Continue reading 2019: Something To Do With Death
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo to talk about Shirley, about the writer Shirley Jackson, two of Josephine Decker’s previous films, and recommend a few more movies about writers—Veronica even tosses … Continue reading
Earlier today, the Denver Film Critics Society — 16 writers and broadcasters working in and around the Mile High City, of which I am one — announced their picks for the year’s best. Of the 41 movies nominated, 1917 (above) … Continue reading And the winners are…
A young man sees the world from a specific point of view. Though women may surround him—women who raise him, teach him, love him, and confuse him—he will never be able to fully see the world through their eyes. He … Continue reading 20TH CENTURY WOMEN
Roughly two-thirds into Mistress America a series of characters criticize another’s short story. Mainly for being shallow plagiarism, but of all the harsh criticism hurled at the author, the line, “Just like the rest of your generation; everything a pastiche” lands closest to home. Not because the author in question takes it bitterly, but because it is the criticism that the author of Mistress America seems to hurtle at himself. Mistress America — director Noah Baumbach’s tenth feature film and second collaboration with co-writer and star, Greta Gerwig — revolves around two young women, Tracy (Lola Kirke) and Brooke (Gerwig), whose … Continue reading MISTRESS AMERICA
Frances (Greta Gerwig) is a bit of a mess. She is trying to make her way in the world, but she doesn’t have the first clue about how to do it. Owning not much more than a laptop, a stack of books, and the clothes on her back, she lives with her friend, Sophie (Mickey Sumner), who has her life a little more together. When Sophie decides to dump Frances for a coveted apartment in Tribeca, Frances couch surfs her way across New York City. She is twenty-seven and trying to grasp a hold of a dream concocted a mere five years ago. In five years time, it will be just outside of her grasp.
33 Postcards – Mei Mei (Zhu Lin) is a Chinese orphan with a sponsor down in Australia, Dean Randall (Guy Pearce). They write back and forth for ten years, and Mei Mei grows up dreaming of Dean’s perfect life, his perfect family, and the perfect skyline of Sydney. Her choir travels to Australia for the Australian Choir Festival, and Mei Mei uses this trip to visit her beloved pen pal. When she meets Dean, things aren’t quite so hunky-dory as he is a convict with a very shady past. Mei Mei still sees some family as a hell of a lot better than no … Continue reading Movie Beat – 05.17.13