He is David King (Denzel Washington), and 20 years ago, he sat on music’s throne. A hits stacker and a kingmaker, David had the best ears in the business and the records to prove it. Now David is scrambling to … Continue reading HIGHEST 2 LOWEST
The two most interesting moments in The Phoenician Scheme—the latest from director Wes Anderson—come at the beginning and end of the movie. As for what happens in between, we’ll get there. By the beginning, I don’t mean the actual opening … Continue reading THE PHOENICIAN SCHEME
On Friday, Jan. 5, the Denver Film Critics Society—19 writers, broadcasters, and bloggers working in and around the Mile High City, of which I am one—announced their nominees for the best of 2023. In total, 33 movies received nominations, with … Continue reading And the nominees are…
Some people bite the hand that feeds them. American Fiction’s Thelonious “Monk” Ellison wants to chew it whole and spit it back out. Before we get there, first this: American Fiction is funny. It’s easily among the funniest movies I … Continue reading AMERICAN FICTION
Fire up the projector and dim the lights—the 46th Denver Film Festival kicks off this weekend. This year’s slate opens with a screening of American Fiction, the story of a serious Black novelist (Jeffrey Wright) who becomes unwittingly acclaimed for the very tropes … Continue reading Under the Radar: Picks for the 46th Denver Film Festival
The play’s the thing, and for Conrad Earp (Edward Norton), a Tennessee Williams-type with a predilection for Tom of Finland cowboy art, his new play is sure to be the one that wakes the audience up. Or puts them to … Continue reading ASTEROID CITY
Gotham City looks broken. The streets are littered with trash, the buildings tagged with graffiti. Crime is rampant, and what used to be temporary tent cities now look like established shantytowns. Drugs are ubiquitous—Drops, which are enjoyed by the very … Continue reading THE BATMAN
Wes Anderson’s cinematic style did not appear fully formed. It took a few movies over five years before Anderson locked in on formal compositions, planimetric framing, cuts along the 90-degree axis, diorama-esque interiors, Richard Scarry-like landscapes, idiosyncratic dialogue, peculiar characters, … Continue reading THE FRENCH DISPATCH
Love for James Bond is tragic. Sure, his conquests are as numerous as they are fleeting, but consider 1969’s On Her Majesty’s Secret Service: Bond marries Countess Tracy, only to lose her to a bullet meant for him. The man behind … Continue reading NO TIME TO DIE
Michael J. Cinema 
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