Hank is in a whole heap of trouble. It all started a decade ago when Hank, drunk behind the wheel, brought his promising baseball career to a crashing halt. Now he tends bar in New York’s Lower East Side, where … Continue reading CAUGHT STEALING
The two most interesting moments in The Phoenician Scheme—the latest from director Wes Anderson—come at the beginning and end of the movie. As for what happens in between, we’ll get there. By the beginning, I don’t mean the actual opening … Continue reading THE PHOENICIAN SCHEME
The play’s the thing, and for Conrad Earp (Edward Norton), a Tennessee Williams-type with a predilection for Tom of Finland cowboy art, his new play is sure to be the one that wakes the audience up. Or puts them to … Continue reading ASTEROID CITY
Wes Anderson’s cinematic style did not appear fully formed. It took a few movies over five years before Anderson locked in on formal compositions, planimetric framing, cuts along the 90-degree axis, diorama-esque interiors, Richard Scarry-like landscapes, idiosyncratic dialogue, peculiar characters, … Continue reading THE FRENCH DISPATCH
Michael J. Cinema 