Emma Woodhouse (Anya Taylor-Joy) is handsome, clever, and rich. She’s also a bit of a wrecking ball—the kind who thinks she’s holding the world together when she’s the one holding on for dear life. And if she spent a little … Continue reading EMMA.
If Jean-Luc Godard was correct when he surmised, “The history of cinema is the story of men filming women,” then the French auteur Olivier Assayas’s latest, Clouds of Sils Maria, adds the crucial word missing from that epigraph: young. The cinema is … Continue reading CLOUDS OF SILS MARIA
Michael J. Cinema 