“I don’t ‘handle’ people. It’s so much easier to manipulate actors than to really have an earnest discussion with them. It’s very easy to say whatever’s going to appease them and then turn around and do whatever you want to do. It’s difficult to be forthright with people, because the job does not lend itself to that.” –Jon Favreau Continue reading Born On This Day – October 19, 1966
Breastmilk – Breast milk is better for a child and produces a more intimate connection between mother and baby than formula does, but in this fast paced business world, it just takes too long. Too long to pump, too long to abstain from a cocktail, too long to feed the child. This is American and we want things now! Of course, raising a child requires time, and breastfeeding is just one of those activities that require time. Standing firmly on the side of breastfeeding, Breastmilk is a very blunt movie about the difficulties facing the modern mother. From director Dana … Continue reading Movie Beat – 05.09.14
In a year where directors are inseparable from the subject of their movies (To The Wonder, Pain & Gain, Inside Llewyn Davis, Nebraska, and many more), one rises above the rest of the pack. The Wolf of Wall Street is about Jordan Belfort’s desire to … Continue reading THE WOLF OF WALL STREET
“I’ve always wanted to call the shots because I would rather fail than not have a chance to figure it out on my own. I’m a very lazy person by nature. I have to be really engaged, and then I go straight from lazy to obsessive. I couldn’t study chemistry, but I could memorize all the books for Dungeons and Dragons. It was ridiculous. The trick is to find what I like to do.” –Jon Favreau “Being the son of a filmmaker, you are aware of a career as a director. You don’t think of it as just movies, but … Continue reading Born On This Day – October 19
Caesar Must Die – William Shakespeare’s Julius Caesar is one of the most infamous and greatest pieces of theater. It has been performed a countless number of times in virtually every language. One would think that we would reach a saturation point for this particular play, but we never will, and we can thank Paolo and Vittorio Taviani and those of like mind for such inventiveness. Their staging of Julius Caesar is part documentary, part staging. The performers, harden criminals, some with no hope of parole. “Et tu, Brute?” takes on a completely different meaning to one who might have … Continue reading Movie Beat – 02.08.13
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