On Jan. 7, 2021, British filmmaker Michael Apted died in his Los Angeles’ home. He was 79. Though Apted enjoyed a prolific career in film and television, he will always be remembered for his participation in the groundbreaking documentary, The … Continue reading 63 UP
One of the cinematic highlights of 2020 was the TCM broadcast premier of Mark Cousins’ 14-hour docuseries, Women Make Film: A New Road Movie Through Cinema. Now the series comes to Kanopy for those who do not have the cable … Continue reading WOMEN MAKE FILM: A NEW ROAD MOVIE THROUGH CINEMA
Kino Now (an on-demand streaming service by the good folks at Kino Lorber) celebrated its anniversary this past October. To mark the occasion, they’re making eight films free to stream with the promo code KNBDAY until Nov. 15. The films: Beanpole, Boy, … Continue reading DAWSON CITY: FROZEN TIME
Martin Eden is one of the best movies I’ve seen this year, and it got me thinking about one of the best movies I saw last year: Transit. Christian Petzold is one of those directors who has my number, and his latest, Undine, … Continue reading TRANSIT
For 50 years, Agnès Varda lived on Paris’ Rue Daguerre, a quiet street of merchants not far from Montparnasse. She saw the men and women (mostly husbands and wives) who ran the shops, cut the hair, baked the bread, and … Continue reading DAGUERRÉOTYPES
She lives in Astoria, but she works in the City. That means the company car picks her up long before the sun has a chance to crack the horizon. And like most administration assistants, she’s the first in, last out, … Continue reading THE ASSISTANT
Back in 2017, Kino Lorber restored and released a series of films from Italian filmmaker Lina Wermüller, a powerhouse on the world stage. Wertmüller is still with us—she’s 92 as of Aug. 14—as are her films. Seven Beauties from 1975 … Continue reading Women Make Film: Lina Wertmüller
For many, Citizen Kane, made when Orson Welles was 25 years old, is the greatest achievement of the filmmaker’s tempestuous career. The shadow of Kane is indeed long, and Welles never quite found his way out of it, but it … Continue reading CHIMES AT MIDNIGHT
One Godard deserves another. Yesterday, it was Le petit soldat, today it’s Adieu au langage. From Boulder Weekly Vol. 22, No. 30, “Goodbye to all of that.” In 1960, Jean-Luc Godard revolutionized cinema. Breathless wasn’t just a break from the old … Continue reading GOODBYE TO LANGUAGE
