You know he’s the one because he’s a movie star with piercing eyes, floppy hair, goth vulnerability, and untapped strength all in one. He’s Prince Hal making good. His name is Paul Atreides. It’s the name his parents gave him, … Continue reading DUNE: PART TWO
Lydia Tár is broken. Pulled from the podium, kicked out of her Berlin apartment, barred from seeing her daughter, the disgraced conductor returns to her family house on Long Island, pokes around her childhood room—perfectly preserved as if she were … Continue reading 2022: Accommodating for Others
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Neptune Frost and Crimes of the Future—two tales of techno-futures that feel perfectly lived-in and broken down. Listen to After Image, Fridays at 3:00 … Continue reading
Plastics. They’re everywhere. They’re in our homes, our cars, our food and waste streams. They’ve formed islands in the middle of the Pacific and infiltrated every last habitat on Earth. If you’ve had a knee or hip replacement, you’ve got … Continue reading CRIMES OF THE FUTURE
Wes Anderson’s cinematic style did not appear fully formed. It took a few movies over five years before Anderson locked in on formal compositions, planimetric framing, cuts along the 90-degree axis, diorama-esque interiors, Richard Scarry-like landscapes, idiosyncratic dialogue, peculiar characters, … Continue reading THE FRENCH DISPATCH
Love for James Bond is tragic. Sure, his conquests are as numerous as they are fleeting, but consider 1969’s On Her Majesty’s Secret Service: Bond marries Countess Tracy, only to lose her to a bullet meant for him. The man behind … Continue reading NO TIME TO DIE
Hollywood must have a rooting interest in marriage. Why else would so many rom-coms revolve around weddings and meeting that perfect match? They must be getting kickbacks from the clergy. Or maybe they have a hand in the flower racket. … Continue reading THE LOBSTER
2013 was an excellent year at the movies, but I said the exact same thing about 2012. Film critic for The New Yorker, Richard Brody, chose to open his year-end summary with this quote, “The year 2013 has been an … Continue reading 2013: Another Year of Moviegoing
Michael J. Cinema 