When Martin Scorsese sat down with friend and classmate Mardik Martin to pen Season of the Witch—later rechristened Mean Streets—he hardly thought he was changing how movies would look and move. The kid who grew up on Elizabeth Street in … Continue reading MEAN STREETS
A master among masters, the filmography of Martin Scorsese is nothing to sneeze at. Raging Bull, GoodFellas, The Irishman—you know the lineup. But what sometimes gets overlooked are the documentaries, a dozen of them, personal and nuanced works that play like B-sides … Continue reading THE LAST WALTZ
Movies echo movies. Sometimes in the minds of the filmmakers: Conversations in sound and image across time and space. Sometimes in the viewer’s minds: Stories ping-ponging their way through a couple of thousand years of recorded history. More often than … Continue reading AMERICAN BOY: A PROFILE OF STEVEN PRINCE
Michael J. Cinema 