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Tag: Martin Scorsese

Boulder Weekly, Reviews

SILENCE

December 23, 2022December 23, 2022 Michael J. Casey

My whole life has been movies and religion. That’s it. Nothing else. —Martin Scorsese It all goes back to Mean Streets: “You don’t make up for your sins in church, you did it in the streets. You do it at home. … Continue reading SILENCE

Boulder Weekly, Home Video, Reviews

THE LAST WALTZ

November 22, 2022March 24, 2022 Michael J. Casey

A master among masters, the filmography of Martin Scorsese is nothing to sneeze at. Raging Bull, GoodFellas, The Irishman—you know the lineup. But what sometimes gets overlooked are the documentaries, a dozen of them, personal and nuanced works that play like B-sides … Continue reading THE LAST WALTZ

Boulder Weekly, Cinema 101

Cinema 101

September 21, 2022September 20, 2022 Michael J. Casey

I guess you could say the low point arrived on March 27, 2022, with the broadcast of the 94th Academy Awards. No, the “slap heard ’round the world” wasn’t it—though that cast a pall over the proceedings, didn’t it?—but the … Continue reading Cinema 101

KGNU: After Image
July 2, 2022July 2, 2022 Michael J. Casey

On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about two new comedies out in theaters, Minions: The Rise of Gru, available everywhere, and Official Competition, out now in limited release. And if that … Continue reading

Boulder Weekly, Sunday Streams

LUCÍA

October 17, 2021May 12, 2022 Michael J. Casey

Set across three time periods in Cuba—1895, 1932, 196..—Lucía is the story of three different women, all named Lucía, all in love, and all involved in the revolution. In 1895, Lucía (Raquel Revuelta) is an aging spinster in love with a … Continue reading LUCÍA

Boulder Weekly, Home Video, Reviews

HITCHCOCK/TRUFFAUT

August 17, 2021May 12, 2022 Michael J. Casey

By its very nature, cinema is a collaborative art. As Orson Welles said, “A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.” To whom then does a movie belong? In his 1954 essay, … Continue reading HITCHCOCK/TRUFFAUT

Boulder Weekly, Reviews, Sunday Streams

THE IRISHMAN

July 11, 2021May 13, 2022 Michael J. Casey

The Irishman begins in darkness. A small box of light at the center of the frame opens like an iris, and we see nurses and doctors. It looks like a hospital, but this is no beginning; this is the end: A … Continue reading THE IRISHMAN

Boulder Weekly, Home Video, Reviews

ROLLING THUNDER REVUE: A BOB DYLAN STORY

May 18, 2021May 15, 2021 Michael J. Casey

In 1975, the U.S. was at a crossroads. The Vietnam War was over, and Americans were more disillusioned than ever. Big cities out east, like New York and Washington D.C., prepped for the Bicentennial, but Small Town, U.S.A., seemed not … Continue reading ROLLING THUNDER REVUE: A BOB DYLAN STORY

Boulder Weekly, Essays

ORSON WELLES

May 17, 2021December 14, 2021 Michael J. Casey

The legacy of Orson Welles looms large in the history of cinema. So large, even Welles himself fell into its blackness. “The word genius was whispered into my ear—the first thing I heard—while I was still mewling in my crib,” … Continue reading ORSON WELLES

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