I guess you could say the low point arrived on March 27, 2022, with the broadcast of the 94th Academy Awards. No, the “slap heard ’round the world” wasn’t it—though that cast a pall over the proceedings, didn’t it?—but the … Continue reading Cinema 101
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about two new comedies out in theaters, Minions: The Rise of Gru, available everywhere, and Official Competition, out now in limited release. And if that … Continue reading
Set across three time periods in Cuba—1895, 1932, 196..—Lucía is the story of three different women, all named Lucía, all in love, and all involved in the revolution. In 1895, Lucía (Raquel Revuelta) is an aging spinster in love with a … Continue reading LUCÍA
By its very nature, cinema is a collaborative art. As Orson Welles said, “A writer needs a pen, an artist needs a brush, but a filmmaker needs an army.” To whom then does a movie belong? In his 1954 essay, … Continue reading HITCHCOCK/TRUFFAUT
The Irishman begins in darkness. A small box of light at the center of the frame opens like an iris, and we see nurses and doctors. It looks like a hospital, but this is no beginning; this is the end: A … Continue reading THE IRISHMAN
In 1975, the U.S. was at a crossroads. The Vietnam War was over, and Americans were more disillusioned than ever. Big cities out east, like New York and Washington D.C., prepped for the Bicentennial, but Small Town, U.S.A., seemed not … Continue reading ROLLING THUNDER REVUE: A BOB DYLAN STORY
The legacy of Orson Welles looms large in the history of cinema. So large, even Welles himself fell into its blackness. “The word genius was whispered into my ear—the first thing I heard—while I was still mewling in my crib,” … Continue reading ORSON WELLES
In 2020, theatrical moviegoing was dead in the water. Thankfully, home video sets soared, and at the very top of the list (in case you were looking for a holiday gift for the movie lover in your life) was Criterion’s … Continue reading Martin Scorsese’s World Cinema Project No. 3
Cinematographer Michael Chapman died on Sept. 20, 2020. He was 84. We hadn’t heard or seen much of Chapman recently (his last credit was Bridge to Terabithia in 2007), but Chapman was king in the 1970s and ’80s. Chapman’s first credit as … Continue reading TAXI DRIVER
Michael J. Cinema 
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