George Clooney’s 2019 adaptation for Hulu was faithful to Joseph Heller’s novel until it missed the mark. He condemned Yossarian to a Sisyphean hell rather than set him free and off into the world. Clooney’s deviation probably comes from a … Continue reading CATCH-22
The timing couldn’t be better. The Alamo Drafthouse’s series, Hot Takes & Remakes, is a bizarre and beautiful collection of 30ish movies—some revered, some despised, all worth a second look. And if you haven’t given Martin Scorsese’s 2006 Boston cops … Continue reading THE DEPARTED
There comes a moment, nearly three-quarters through the abysmally dull and bizarre Deadhead Miles—starring Alan Arkin as a long-haul truck driver—where Arkin takes another driver aside to show him something in his cab. Curious, the driver peers into the truck and … Continue reading The World’s Bigger Than You Think: Terrence Malick
Looking for a way to celebrate Hispanic Heritage Month? The Sie Film Center has a few for you, 15 in fact. Back for a third go around, CineLatino is one of the Front Range’s newest and best film festivals, and … Continue reading Cine Otro: Previewing the 2016 CineLatino
On Jan. 21, 1958, Charles Starkweather entered the Nebraska home of girlfriend Caril Ann Fugate and shot and killed her father, mother, and 2-year-old sister. The two went on the lam, and Starkweather slew seven more over the course of … Continue reading BADLANDS
In 1973, The New American Cinema was well underway. The French New Wave had blown the doors of cinema open as to what was possible, and American movies like Bonnie and Clyde (Penn, 1967) and The Wild Bunch (Peckinpah, 1969) had broken down … Continue reading BADLANDS
I film quite a bit of footage, then edit. Changes before your eyes, things you can do and things you can’t. My attitude is always let it keep rolling. —Terrence Malick Continue reading In Their Words — Thursday, April 25, 2013
Michael J. Cinema 
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