France, 1918: Raphaël (Raphaël Thiery) has returned from the war to end all wars. His wife, Marie, died sometime while he was fighting, work has dried up, and the townsfolk look down upon him. On the plus side, Raphaël meets … Continue reading SCARLET
On Friday, Jan. 8, the Denver Film Critics Society (DFCS)—16 writers and broadcasters working in and around the Mile High City, of which I am one—cast their preliminary ballots for this year’s DFCS awards. How it works: Members are asked … Continue reading Denver Film Critics Society 2020 Ballot
His name is Martin Eden (Luca Marinelli), and he calls no nation home. He’s a sailor by trade—the kind mothers warn their daughters about: tall, dark, and handsome with a few roguish scars and a spectacular head of hair. He’s … Continue reading MARTIN EDEN
Piranhas (La paranza dei bambini) opens with a theft; a battle between two rival gangs and a government building Christmas tree. Who are these battling gangs? Don’t know. Why do they want it? We have our suspicions, but they are … Continue reading PIRANHAS
There are few filmmakers in the annals of cinema as notorious as Pier Paolo Pasolini. From his first film, Accatone—documenting a messianic pimp—to his last, Saló, or the 120 Days of Sodom: an infamous and notorious work that is either 145 minutes … Continue reading PASOLINI
Michael J. Cinema 