Above all, cinema is a style. Movies are a glorious and exciting exploration of the human condition, but without style, the images hang to the screen, failing to be anything more than a light flickering on a blank canvas. That’s … Continue reading PICKPOCKET
The films of Federico Fellini are gateways into the more impenetrable corners of European cinema. And La Strada, his fourth feature film, was the first to set him on the path from Italian neorealism to his own personal style—one that can … Continue reading LA STRADA
Michael J. Cinema 