Truth is one, but the sages speak of it by many names. —The Rig Veda The Two Popes, directed by Brazilian filmmaker Fernando Meirelles, opens in 2005, with the election of Joseph Ratzinger (Anthony Hopkins) as Pope Benedict XVI, and closes in … Continue reading THE TWO POPES and THE BELLS OF ST. MARY
Let us raise our cups. Standing as some of us do on opposite ends of the river, and drink together. … To the movies. To good movies. To every possible kind.” —Orson Welles’ AFI Life Achievement Award acceptance speech, Feb. … Continue reading One last toast to the wunkerkind: Dispatches from the 2018 Telluride Film Festival
The Irishman begins in darkness. A small box of light at the center of the frame opens like an iris, and we see nurses and doctors. It looks like a hospital, but this is no beginning; this is the end: A … Continue reading THE IRISHMAN
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about the return to movie theaters with A Quiet Place Part II and Cruella (also available on Disney+ Premiere). But if those aren’t your bag, … Continue reading
Multi-hyphenate Armando Iannucci might be the best working satirist today (all seven seasons of Veep are streaming on HBO Max and DirecTV). His take on the transfer of power in the USSR circa 1953 is so loaded with jokes you have to … Continue reading THE DEATH OF STALIN
Today, Netflix releases the latest from writer/director Ramin Bahrani, The White Tiger, an adaptation of Indian author Aravind Adiga’s debut novel about the rise of Balram (Adarsh Gourav) from a coal breaker’s son to driven entrepreneur. Told in flashback and at … Continue reading Ramin Bahrani
In 2015, I thought about the images that defined the year in cinema. In 2016, I considered how cinematic output shaped the various tendrils of Hollywood. In 2017, I found solace in the cinema, no matter how downbeat it appeared … Continue reading 2018: An Embarrassment of Riches
A young man with nothing more than the clothes on his back and a deployed parachute hangs by a dead tree branch. The landscape around him is desolate. Then, from the dust and mist, a large black figure approaches. It … Continue reading Animation Double Feature
Plunging temperatures and snow have returned to Colorado’s Front Range. As I donned my heavy coat to walk to the library today, images from Quentin Tarantino’s Hateful Eight flashed through my mind. Now there was a movie with some good coats. Particularly … Continue reading Courtney Hoffman and Rosemary Brandenburg on THE HATEFUL EIGHT
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