“Well, art is an act of violence. It is about penetration, about speaking to our subconscious and our moods at different levels.” –Nicolas Winding Refn Continue reading Born On This Day – September 29, 1970
“I don’t know anything about the way a film is born, nothing about the manner of it, the lying-in, the ‘big bang’, the first three minutes. Whether the images in those first three minutes are born out of their author’s deep desire, or if – in an ontological sense – they merely are what they are. I wake up one morning with my head full of images. I don’t know where they come from, or how or why. They recur in the following days and months; I can’t do anything about them, and I do nothing to drive them away. … Continue reading Born On This Day – September 29
Only God Forgives a very delicate, fragile movie. You might not think that, considering the level of graphic violence, but it is. My first viewing of this fever-dream was at the LA Film Festival in June, where a member of the LA Film Fest introduced the movie and told the audience that this was a different type of movie, try to let go and go along for the ride. For the next ninety minutes, I sat in my seat, completely stunned and virtually motionless. I sat with my eyes peeled open, allowing image after image, color after color, wash right over them. Scenes followed other scenes, characters made entrances and exits, and eventually, it all faded to black. For a minute, I wasn’t sure if God Only Forgives was a movie of a dream, or a dream I had, possibly a dream I had just shared with 808 strangers. After the screening, writer/director Nicolas Winding Refn held a Q&A. He said that he liked to think of his movies likes drugs, if Drive was like getting a bunch of really good coke and doing it all in one weekend, then Only God Forgives is like doing LSD. Not the kind that makes you want to run around and have sex, but the kind of LSD that makes you sit in a chair and want to become the chair. Refn admitted that he has never taken psychedelics, and neither have I, but at that moment, I could not have understood a director’s intentions more.
The Act of Killing – Anwar Congo and his cronies helped the Indonesian army kill millions of communists, ethnic Chinese, and intellectuals when the military took over the government in 1965. Anwar himself murdered hundreds with his own hands. Now they are movie stars. Never punished for their actions because they ended up on the right side of history, they are now recreating the murders, the atrocities, their side of the story for cameras in hopes that the truth will out and people will see them for the saviors that they see themselves. Guaranteed to chill you to your core. … Continue reading Movie Beat – 07.19.13