I guess you could say the low point arrived on March 27, 2022, with the broadcast of the 94th Academy Awards. No, the “slap heard ’round the world” wasn’t it—though that cast a pall over the proceedings, didn’t it?—but the … Continue reading Cinema 101
Journalist Barrett (Peter Breck) has cracked his fast track to the Pulitzer: Have himself committed to an insane asylum to uncover the details of an unsolved murder. It’s an airtight plan until Barrett finds himself in the company of a … Continue reading SHOCK CORRIDOR
Spike Lee’s back, and he’s getting better with age. The first half of the 2010s found the filmmaker working in a different milieu with Red Hook Summer and Da Sweet Blood of Jesus. Slightly atmosphere, quieter, lower budgets. Neither were duds, but nor did … Continue reading DA 5 BLOODS
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo to talk about Shirley, about the writer Shirley Jackson, two of Josephine Decker’s previous films, and recommend a few more movies about writers—Veronica even tosses … Continue reading
Director Phil Karlson—born Philip N. Karlstein in Chicago, 1908—could do just about anything. Starting as a gagman for Buster Keaton, Karlson found work as propman, studio manager, editor, and assistant before stepping behind the camera and calling the shots. His … Continue reading Three from Karlson
Film is a battleground. Love, hate, violence, action, death…In a word, emotion. In the movie business, a good ending must sometimes hold sway over the truth. —Samuel Fuller Continue reading Born On This Day — August 12, 1912
I grew up believing that people make things move, like the word “movie”. The world, like a moving picture, was moving forward. I wanted to advance, too, as rapidly as my quick mind and fast legs would carry me. I … Continue reading In Their Words — Monday, August 12, 2013
Am I a cult director? Yeah, I love all that. I want to join the cult of the $100- to $200-million grossers and still make an artistic picture. —Samuel Fuller Continue reading In Their Words — Friday, July 19, 2013
Ninety-five per cent of films are born of frustration, of self-despair, of ambition for survival, for money, for fattening bank accounts. Five per cent, maybe less, are made because a man has an idea, an idea which he must express. … Continue reading In Their Words — Thursday, July 4, 2013
Michael J. Cinema 
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