If Annihilation could be distilled into a single image, it would be that of a hand seen through a glass of water. Crystal clear, the water reflects precisely what is set in front of it and, in this case, it’s a human hand. But, it’s a glass of water, circular in nature, and so the reflection is bisected — fractured if you will — and though you can see what is being reflected in the water, you can also see what is not being reflected. At first glance, your mind fills in the gaps of the image, but if you … Continue reading ANNIHILATION
The new film from director Danny Boyle and writer Aaron Sorkin, Steve Jobs, marks the third cinematic interpretation of Apple’s storied co-founder in the past two years — Jobs (Joshua Michael Stern, 2013) and Steve Jobs: Man in the Machine (Alex Gibney, 2015) were the previous two. I have seen all three and still cannot answer the question my sister posed after the credits rolled for this iteration: “Why are people so fascinated by him?” Is it because the products his company produced are so integral to our day-to-day lives? Because we find Apple products so aesthetically pleasing? So intuitive? … Continue reading STEVE JOBS
Frances (Greta Gerwig) is a bit of a mess. She is trying to make her way in the world, but she doesn’t have the first clue about how to do it. Owning not much more than a laptop, a stack of books, and the clothes on her back, she lives with her friend, Sophie (Mickey Sumner), who has her life a little more together. When Sophie decides to dump Frances for a coveted apartment in Tribeca, Frances couch surfs her way across New York City. She is twenty-seven and trying to grasp a hold of a dream concocted a mere five years ago. In five years time, it will be just outside of her grasp.