The story of Us begins in 1986, on the Santa Cruz Beach Boardwalk with a young girl, Adelaide Wilson (Madison Curry), and her two parents. Dad’s a little drunk, but he does manage to win her a Thriller t-shirt and buy her a candy apple. Mom’s a little frustrated; this is probably not the first time he’s staggered around in public with herky-jerky foolishness. And, like most children, Adelaide silently watches. She doesn’t know what they are fighting about, but she knows they’re fighting. She’s seen it before, and like any child bored with their parents, she wanders off. First … Continue reading US


Get Out opens with a scene that might as well be ripped from a newspaper headlines. Well, maybe it was. Andrew (Lakeith Stanfield), a black man walks alone, at night, along a neighborhood street so quiet, so pleasant, so blandly cookie cutter, it must be a white suburban neighborhood. Andrew talks on his cell phone, trying to locate his friend’s house, when a White Trans Am rolls up on him, pulls a U-turn and slowly follows him. “Not today,” Andrew mutters to himself before doubling back. The scene is taught with racial tension — this is more than a simple … Continue reading GET OUT


Jimi: All is by My Side, Academy Award winning screenwriter John Ridley’s second foray in the director’s chair, is a biopic of famed guitarist, Jimi Hendrix. André Benjamin, of Outkast fame, plays Hendrix. Benjamin happens to look so similar to Hendrix that I wonder if this movie was willed into existence for that very reason. Not that Hendrix isn’t deserving of a movie, or several. Just another unknown in 1966, Hedrix exploding onto the scene one year later, but by the end of 1969 — with only three albums recorded — he was dead and buried. Hendrix is arguably one … Continue reading JIMI: ALL IS BY MY SIDE