The revolution as seen through the eyes of the those revolved out in Memories of Underdevelopment and Tár The year is 2022, and conductor Lydia Tár is a foot from the top. Her memoir, Tár on Tár, will be published in … Continue reading Sympathy for the Devil
Every year, the Australian-based online quarterly, Senses of Cinema, invites writers from all over the globe to submit their selections for the best movies of the year. The top 10 you are probably familiar with at this point, but the following … Continue reading SENSES OF CINEMA: 2022 World Cinema Poll
CU-Boulder’s International Film Series returns January 26 with a free 35 mm screening of Monty Python and the Holy Grail. Between tomorrow night screening and May 2’s presentation of the Indian spectacle RRR, there are more than 50 programs to … Continue reading Back on the Big Screen
On Monday, January 9, the Denver Film Critics Society—15 writers and broadcasters working in and around the Mile High City, of which I am one—announced their nominees for the best of 2022. In total, 38 movies received nominations, with Everything Everywhere … Continue reading And the nominees are…
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about my favorite movies of 2022, trends that emerged throughout the year, and some prognostications about where things might be headed. Listen to After Image, … Continue reading
Lydia Tár is broken. Pulled from the podium, kicked out of her Berlin apartment, barred from seeing her daughter, the disgraced conductor returns to her family house on Long Island, pokes around her childhood room—perfectly preserved as if she were … Continue reading 2022: Accommodating for Others
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about the best movie of the year Tár, now in theaters, and one of the best American debuts in the last four decades, recently restored … Continue reading
It’s about time. For conductor Lydia Tár (Cate Blanchett), time is her job. Her right hand “starts the clock,” while her left shapes the music and guides the orchestra. She can also stop time, slow it down, speed it up, … Continue reading TÁR
You may overlook the anachronisms at first, but a few things ought to tip you off that Women Talking, the latest from writer-director Sarah Polley, does not take place when you think it does. A slow-moving traffic sign here, a manufactured … Continue reading Daydream Believer: Dispatches from the 49th Telluride Film Festival
Michael J. Cinema 