On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Old, now in theaters, and Working Girls, recently restored and released on Blu-ray and DVD from The Criterion Collection. Listen to After Image, Fridays … Continue reading
Call Marlon Riggs whatever you want. He describes himself as an “independent documentary producer,” but if you want to call him a Black gay filmmaker, fine. “If you want to say gay Black, fine. If you want to say Black … Continue reading The Signifyin’ Works of Marlon Riggs
On this week’s edition of After Image, I chat with Metro Arts producer Veronica Straight-Lingo about Zola, out now in limited release, Pickup on South Street (recently restored and on Blu-ray and DVD from The Criterion Collection), and Safety Last!, … Continue reading
It was the 1960s, and revolution was in the air. For French filmmaker Jean-Luc Godard, cinema was the way to express ideas artistic, political, and otherwise. He opened the decade with Breathless, a free-flowing anarchic take on cinematic language that was … Continue reading MASCULIN FÉMININ
He’s just so damn handsome. Smooth skin, full head of shiny black hair, snappy dinner clothes, thin as a rail—what girl wouldn’t fall for Jerry Corbett? Coffee heiress Joan Prentice sure does. She falls for his charm and she falls … Continue reading MERRILY WE GO TO HELL
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Dream Horse, now in theaters, and Merrily We Go to Hell, an underrated pre-Code gem restored and released on Blu-ray and DVD from The … Continue reading
When Jack Warner previewed The Breaking Point in the summer of 1950, he knew he had a hit on his hands. And with good reason: The director was Michael Curtiz, Warner Bros.’ top man with hits like Casablanca, The Adventures of Robin Hood, and Mildred Pierce. … Continue reading THE BREAKING POINT
In 1975, the U.S. was at a crossroads. The Vietnam War was over, and Americans were more disillusioned than ever. Big cities out east, like New York and Washington D.C., prepped for the Bicentennial, but Small Town, U.S.A., seemed not … Continue reading ROLLING THUNDER REVUE: A BOB DYLAN STORY
Nowadays we call them noir, but back in the 1940s and ’50s they didn’t have a name. Born out of 1930s hard-boiled novels and an influx of European filmmakers fleeing fascism, films noir (as French film critics later coined them) were … Continue reading THE FURIES
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