On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about Saint Omer, out now in theaters, and Imitation of Life, newly restored and released on Blu-ray from The Criterion Collection. Listen to After Image, … Continue reading
The year is 1918, and Red troops are rounding up the White guards. War is on, and the insurgents are to be executed. But as the victors take their time playing by the rules of engagement, a fresh batch of … Continue reading The Best in 2022 Home Video Release
A master among masters, the filmography of Martin Scorsese is nothing to sneeze at. Raging Bull, GoodFellas, The Irishman—you know the lineup. But what sometimes gets overlooked are the documentaries, a dozen of them, personal and nuanced works that play like B-sides … Continue reading THE LAST WALTZ
Memory is the selection of images. Some elusive, others printed indelibly on the brain. Each image is like a thread, each thread woven together to make a tapestry of intricate texture. And the tapestry tells a story, and the story … Continue reading EVE’S BAYOU
On this week’s edition of After Image, I chat with Metro Arts’ producer Veronica Straight-Lingo about the best movie of the year Tár, now in theaters, and one of the best American debuts in the last four decades, recently restored … Continue reading
A jitterbug contest. Hot rods drag race on a mountain road. A violent car crash. A woman wanders the Hollywood Hills with a head injury. A man recounts a dream of meeting a monster living behind a diner dumpster. A film … Continue reading MULHOLLAND DRIVE
It opens like any other western: Sepia soaked still photographs of settlers in wagons traversing a wild frontier while title cards credit the actors, the filmmakers, and the dedication. Then the pictures begin to move. In the background, a lone rider … Continue reading BUCK AND THE PREACHER
The colors belong to the French flag, the corresponding ideas of the Republic: blue, white, and red—liberty, equality, and fraternity. For France, these colors, these ideas, are political. They guide the nation the way Jefferson’s decree, “We hold these truths … Continue reading THREE COLORS
The man is silent. He removes a welder’s helmet and reveals his face: tired, soaked in sweat and soot. He pulls a chair to the center of the room and sits, taking a cigarette out and lighting it. A crinkle … Continue reading THIEF
Michael J. Cinema 
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