On Monday, the Denver Film Critics Society — 16 writers and broadcasters working in and around the Mile High City, of which I am one — announced their nominees for the year’s best. Leading the pack is a three-way tie … Continue reading And the nominees are…
No matter how corrupt, greedy, and heartless our government, our corporations, our media, and our religious and charitable institutions may become, the music will still be wonderful. Kurt Vonnegut, A Man Without a Country One of the best scenes in … Continue reading 2019: Something To Do With Death
Who is Frank talking to? That was the question posed as a group of us exited The Irishman. One was a film programmer, the other four: film professors—the fixating kind. But the question was valid. Who is Frank Sheeran (Robert De … Continue reading THE IRISHMAN
On this week’s edition of After Image, is sit down with Metro Arts’ producer Veronica Straight-Lingo to discuss The Irishman. But that’s not all we talked about. We also chatted about The Good Liar, Babette’s Feast, and Bicycle Thieves. But to hear those, you’ll have … Continue reading
The Irishman begins in darkness. A small box of light at the center of the frame opens like an iris, and we see nurses and doctors. It looks like a hospital, but this is no beginning; this is the end: A … Continue reading THE IRISHMAN
Michael J. Cinema 