Three Thousand Years of Longing is about stories. Myths and fairy tales, to be precise, but the movie is about how stories once were, and will always be, like breath to us. The narrator, Alithea (Tilda Swinton), tells us as much … Continue reading THREE THOUSAND YEARS OF LONGING
Stars can conceive, and they can kill. Two billion years from now, humanity will be snuffed out. Our sun will collapse, and the life-giving Earth will once again be a cold lump of rock floating in space. So with no … Continue reading LAST AND FIRST MEN
Wes Anderson’s cinematic style did not appear fully formed. It took a few movies over five years before Anderson locked in on formal compositions, planimetric framing, cuts along the 90-degree axis, diorama-esque interiors, Richard Scarry-like landscapes, idiosyncratic dialogue, peculiar characters, … Continue reading THE FRENCH DISPATCH
What does home mean to you? That’s the question Flee director Jonas Poher Rasmussen poses to Amin Nawabi, an Afghan refugee on the eve of marrying his boyfriend. Amin has a story from his past to tell. And until he does, there … Continue reading Escape the Virtual/Experience/The Virtual Escape: The 44th Denver Film Festival
A woman in a scarlet dress with a large hoop skirt strolls around an empty soundstage. On the stage is her spacious apartment. The apartment has several rooms, each one decorated with bright colors and paintings of nude women. Thanks … Continue reading THE HUMAN VOICE
In 1850, Charles Dickens published his eighth novel, an autobiography of sorts, and his proclaimed favorite: The Personal History, Adventures, Experience, and Observation of David Copperfield the Younger of Blunderstone Rookery (Which He Never Meant to Publish on Any Account). It … Continue reading THE PERSONAL HISTORY OF DAVID COPPERFIELD
Running 14 hours and featuring the work of 183 directors, 700 clips, and seven narrators, Women Make Film: A New Road Movie Through Cinema might be writer/director Mark Cousins’ most ambitious project to date. “Many films about cinema feature only … Continue reading WOMEN MAKE FILM: A NEW ROAD MOVIE THROUGH CINEMA
Humanity has reached a dead-end, and it’s fracking that did it. In real life, maybe, but in writer/director Jim Jarmusch’s The Dead Don’t Die, definitely. Fracking the polar ice caps—which doesn’t sound that far-fetched—has thrown the Earth off its axis and … Continue reading THE DEAD DON’T DIE
Amy Schumer tries everything. Especially when it comes to shooting a one-night stand for her movie. “I was like, ‘What if we see his dick?’” Schumer says, describing the well-endowed Staten Islander that opens 2015’s Trainwreck. “What if he has a huge … Continue reading Amy Schumer on TRAINWRECK
Michael J. Cinema 
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