How does one define a horror movie? Thrills and chills? Blood and guts? Elements of the supernatural and the super-demented? In a word, yes. All of these tropes are acceptable for the horror genre, yet they still remain restrictive. Using the word “horror” casts a wide net — covering anything from the personal to the political, the intimate to the public, the minimalistic to the graphic — leaving most viewers to identify horror movies the same way United States Supreme Court Justice Potter Stewart defined pornography, “I know it when I see it.” The Stanley Film Festival (SFF), which recently … Continue reading What’s in a name?
Watching movies is an enjoyable experience, thinking about movies is illuminating, writing about movies can be agonizing, and attempting to interpret movies is down right futile. Room 237 is an analysis of Stanley Kubrick’s horror masterpiece, The Shining (1980) divided into nine parts, each section focusing on a certain subject. Six unseen theorists delve into minute moments and hidden symbols that might explain the larger themes of the movie. They are all right, and they are all wrong, and reading about people’s take on Room 237 is just as fascinating as watching Room 237. The proverbial snake is eating it’s own tail.