Rumors of an English-language remake of The Intouchables began swirling soon after the 2011 movie became France’s second highest-grossing film. And despite the acclaim and praise garnered when the movie was released stateside in 2012, The Intouchables still felt like a movie a decade too late. Its heart was in the right place, but its sentiment was simplistic and saccharine. Neither of which have been improved by a seven-year lag and a scenery change from Paris to New York City. Now titled The Upside, writer Jon Hartmere stays close to Éric Toledano and Olivier Nakache’s Intouchables screenplay except for one … Continue reading THE UPSIDE
Not everyone fighting for equality can be found on the frontline. There has to be someone in the shadows, toiling away, fueled by indignation, righteousness, and uncompromising ethics. Roman J. Israel is such a man. For years, Israel (Denzel Washington), the partner of a charismatic litigator, has spent his time locked away in an office, pouring over books, finding inconsistencies, and plotting his greatest civil rights coup. But his partner has fallen into a coma, incapacitated by a heart attack. Suddenly, the office is dissolved, the clients are moved to a large and affluent firm run by a former student of … Continue reading ROMAN J. ISRAEL, ESQ.
The Magnificent Seven doesn’t start with fanfare. No blaring horns to signal the American West, no soaring strings to complement the vast vistas before the camera, no cinematic shots of warring bandits cresting a hill, no legends and no heroes. Instead: ominous tones and close, shaky shots of a wagon delivering gold to a heavily watched bank. Cut to a church where a debate rages between the parishioners. Should they stay or should they go? Bartholomew Bogue (Peter Sarsgaard) is coming to pay pennies on the dollar for their land — which he will strip-mine and pull every last ounce … Continue reading THE MAGNIFICENT SEVEN