Aftermath – The much feared and talked about Nuclear Holocaust has finally come and claimed the lives of all but nine survivors who hole up in a farmhouse basement. The world may be over for most, but for these nine, the worst is far from over. Edward Furlong, Monica Keena, Andre Royo, Jessie Rusu, C.J. Thomason and Christine Kelly star in a script by Christian McDonald and directed by Peter Engert. In limited release from RLJ/Image Entertainment. Alive Inside – Michael Rossato-Bennett has been following Dan Cohen, a social worker and the founder of Music & Memory, as he … Continue reading Movie Beat – 07.18.14
Oz the Great and Powerful, like The Wizard of Oz, begins in Kansas at the turn of the century. Oscar (James Franco) is a stage magician in a traveling circus act. Using the stage name, Oz, he puts on basic circus tent tricks with his assistant Frank (Zach Braff). The brief glimpse we get of Oscar actually putting on a show is fun, but the prologue contains a long scene where we get a hint of Oscar’s true ambition: charming and conning women into sleeping with him. Not a bad trick, and a little surprising for a family fun Disney flick. It adds to the character of Oscar, but seems incongruous to Oscar’s true ambition to be a great man, which he states a number of times, and will come back into play later on in the movie. It is noteworthy to mention that the Kansas scenes are shot in Academy 4:3 ratio and monochrome to connect this movie to the classic from 1939. There are a few other connections to The Wizard of Oz, the twister being one of them, which comes and rips Oscar and his hot air balloon off into the Magical World of Oz.
One of the most striking moments in the history of cinema is when Dorothy walks from her monochrome house into the wonderful Technicolor world of Oz. Raimi and his team try to recapture that moment when Oscar looks out over Oz, and the screen widens to a typical 2:35 wide-screen format and color floods the palate. If you choose to see the movie in 3D (and it is quite good) then this is when the 3D really takes over. It is present in the Kansas scenes, but once in Oz, things will come at the screen and create depth in the way that really exploits the possibilities of 3D.