Based on Charles M. Schulz’s successful daily cartoon strip and incorporating elements from the TV specials, The Peanuts Movie captures the simplicity and wonder of childhood anxiety, neurosis, and imagination. Broken into chapters, The Peanuts Movie follows Charlie Brown as he tries to fly … Continue reading THE PEANUTS MOVIE
Derek Cianfrance is having a year. His six-part adaptation of Wally Lamb’s novel, I Know This Much is True, won the Emmy for Outstanding Lead Actor in Limited Series or Movie (Mark Ruffalo), and his original story for Sound of Metal is one … Continue reading Interview with Derek Cianfrance
You cannot capture a man’s entire life in two hours,” Herman J. Mankiewicz says. “All you can hope is to leave the impression of one.” The movie Mankiewicz refers to is Citizen Kane—arguably one of the most well-known movies ever made—but … Continue reading MANK
Autumn (Sidney Flanigan) is seventeen and pregnant. She lives in a small, blue-collar Pennsylvania town without much of a support system. Her familial relationship appears strained, as does her relationship with the father of her unborn child. He’s a jerk … Continue reading NEVER RARELY SOMETIMES ALWAYS
Who is Frank talking to? That was the question posed as a group of us exited The Irishman. One was a film programmer, the other four: film professors—the fixating kind. But the question was valid. Who is Frank Sheeran (Robert De … Continue reading THE IRISHMAN
Once Upon a Time in… Hollywood is a fairy tale of two houses. Inside one lives Rick Dalton (Leonardo DiCaprio, magnificent), a TV star cut from the Steve McQueen fold. Simultaneously in his prime and all washed up, Dalton spends most of his time around Cliff Booth (Brad Pitt), Dalton’s one-time stunt double, now driver/gopher/drinking buddy; a close friend who is “more than a brother, less than a wife,” according to the movie’s narrator. Continue reading ONCE UPON A TIME…IN HOLLYWOOD
There is a scene roughly halfway through Michael Powell and Emeric Pressburger’s 1948 backstage masterpiece The Red Shoes where Ballet Russe impresario Lermontov comforts his understandably nervous principal dancer, Vicky Page. “Nothing matters by the music,” Lermontov assures her. He hums … Continue reading BABY DRIVER
Not everyone can shop for themselves. Some aren’t very good at it, some are too busy and others are too well known to walk into Cartier without TMZ hounding them out the door. For the high-class clientele, a personal shopper … Continue reading PERSONAL SHOPPER
Get Out opens with a scene that might as well be ripped from a newspaper headlines. Well, maybe it was. Andrew (Lakeith Stanfield), a black man walks alone, at night, along a neighborhood street so quiet, so pleasant, so blandly … Continue reading GET OUT
