I don’t think much of technique, or making technique a part of things. If you find a new way to catch life, nature, this could change details, but not the whole. I don’t think so much of what I do when I work, but I try to feel something, to see without explaining, to catch it as near as I can—that’s all. And that’s why I don’t move so much. It’s like approaching a wild animal. If you are too brusque about it, it will run away. I think you must think a lot in the intervals of working and writing, but when you work, you mustn’t think anymore. Thinking is a terrible enemy. You should try to work not with your intelligence, but with your senses and your heart. With your intuition.—Robert Bresson
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